Antyodaya: The Intersection of Cinema and Marginalized Communities

Abstract

Cinema has a vibrant role to play in every society. Cinema and society affect each other in many ways and are interdependent. It has been over a century since Hindi cinema ruled the people's minds. Being such a highly impactful medium, it constructs meaning and eventually leads to a culture people follow. India's cinema has always been more than just a form of amusement; it reflects the country's complex and varied social structures. Through the viewpoint of the concept "Antyodaya," a Sanskrit phrase that means the upliftment of the most oppressed, this study explores the relationship between Indian film and marginalized people and how over the years, Indian cinema has showcased the people from an underprivileged or of a section which is on the fence of the wall. Are such characters being there in mainstream popular cinema at all? And if yes, then how are they treated on screen?  In addition to challenging preconceived notions and highlighting the transformational power of inclusive storytelling, it investigates the historical, cultural, and social aspects of film depictions of oppressed people. Through an analysis of Indian films, this research sheds light on the role of cinema in shaping societal attitudes and promoting social equity. This paper also attempts to understand the representation of marginalised communities in Indian cinema.